Local mastering · Windows x64

Free audio mastering
for Windows

LYTE Mastering is a local audio mastering application for Windows. Professional mastering has value and comes at a cost. LYTE Mastering lets you improve your sound for free, compare your options and export the result that works for you.

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Formats
WAV · FLAC · MP3
Processing
On your computer
Platform
Windows x64
LLYTE Mastering
LOCAL ENGINE

MASTER A TRACK

Your track.
Your direction.

hypnotic_sequence.wavWAV · 48 kHz · 24 bit
ManualAuto — Hard Techno

RECOMMENDATION

−4.5 dB · Bass onControlled low-end balance and dynamics
01 −4.5 dBEligible92/100
02 −5.0 dBEligible89/100

Auto — Hard Techno

Density.
Weight. Impact.

LYTE Mastering takes a hard techno direction: a dense master, a defined kick and a low end that holds its ground. Auto mode explores that balance on your mix: pushing the level, then measuring how processing changes the peak-to-average ratio and low-end balance.

  1. 01

    Exploring density

    The same mix
    Cautious start+1 dB+0.5 dB refine
    Measure → −1 dBTP ceiling
    The number of trials adapts to the track measurements.

    PhaseLimiter starts from a cautious target derived from the track, then moves up in 1 dB steps at an intensity of 1.00. Near the boundary, it refines by 0.5 dB.

    Each output is measured in integrated LUFS, then attenuated if needed to aim for a −1 dBTP ceiling.

    The final level may differ from the target: you are comparing different amounts of processing on the same mix.

  2. 02

    Monitoring kick and low end

    Compared with the source mix
    Peak factorLoss ≤ 3 dB
    Low end · 30–150 HzChange within ±2 dB
    Selected candidate → Preserve bass test
    Selection thresholds, not measurements of your track.

    The app stops raising the target when loudness plateaus or a guardrail is crossed, then tests Preserve bass on the best measured candidate.

    It requires a peak-factor loss of no more than 3 dB, low end between 30 and 150 Hz within ±2 dB of the source mix, and an AAC test at 0 dBTP or below.

    These guardrails monitor overall dynamics, low-end weight and post-encoding peaks. On their own, they do not measure kick attack or separation between kick and rumble.

  3. 03

    Making the listening decision

    Source + measured variants
    Preview at the quietest version’s level
    Listen → choose → export
    Preview gain is adjusted; the files remain unchanged.

    A technical-balance indicator combines level, true peak, peak factor, low end and AAC safety to rank eligible variants.

    If none meets every guardrail, LYTE only shows the least aggressive candidate and says that keeping the source or revisiting the mix is safer.

    Level-adjusted preview lets you compare attack, saturation texture and rumble definition. The recommendation guides listening; it does not certify the quality of the master.

Actually free

to improve
your next track.

Professional mastering is a paid service. LYTE Mastering gives you another way to work, with no subscription, no credits and no account: try, compare and export as often as you need.

YOUR FILES STAY WITH YOU

No cloud.
No uploads.

Your audio is never uploaded. LYTE Mastering processes the track on your computer, then creates the master in the source file’s folder.

  • WAV, FLAC and MP3 imported locally
  • The engine and dependencies are installed with the app
  • A separate export; the original stays intact

Built for producers

Clear controls.
The choices stay yours.

LYTE Mastering runs PhaseLimiter locally: you stay in control of the target, intensity and low end, without being locked into an opaque preset.

AUDIO PROCESSING

  • Local PhaseLimiterThe engine analyses and processes the track on your machine.
  • Target & intensityTwo independent controls for level and processing amount.
  • Progressive searchAuto mode raises the level until it finds the best measured zone.
  • Level-matched listeningVariants are attenuated to compare their sonic character.
  • Preserve bassA weighting option that gives more priority to the low end.
  • Dynamic low endGentle control below 150 Hz to limit excessive buildup.
  • Optional soft clipFrom 0 to 2 dB to round selected short peaks.
  • True-peak ceilingThe exported master is capped at −1 dBTP.
  • Post-export measurementsLUFS, dBTP, crest factor, low end and a local AAC check.
01

Target & intensity

Loudness target−8.5 dB
−20 dB
0 dB
Processing intensity0.50
0.00 · minimum
1.00 · maximum
Illustrative Manual mode example: a −8.5 dB target with intensity halfway up. The two settings are independent.

The target sets the level requested from the engine. Measured output loudness also depends on your mix and the processing.

Intensity controls the amount of processing. Adjust it independently of the target to find your balance between density and dynamics.

REFERENCE · MATCHING LEVEL
02

Preserving the low end

Same mix · same target · same intensity
Preserve bass
OFF
Preserve bass
ON
Listen for low-end weight
A change in weighting, not a preset EQ curve.

Enable Preserve bass when the low end needs priority. This option changes the engine’s weighting.

Compare the output with and without the option: kick weight, sub sustain and rumble definition. The option’s name does not guarantee an unchanged low end.

PRESERVE BASS · LOW-END FOCUS
03

Auto — Hard Techno

Cautious start+1 dB+0.5 dB refine
Adaptive search · Preserve bass OFF
Best candidate → bass ON verification
Measure and rank every render
Start, stop and refinement are driven by measurements.

The target count varies with the track: 1 dB steps, an optional 0.5 dB refinement, then a Preserve bass verification of the best candidate.

LYTE Mastering compares integrated LUFS, true peak and peak factor, plus an estimate of relative low-end level between 30 and 150 Hz.

ADAPTIVE SEARCH · FFmpeg EBU R128

Windows x64

Ready to hear
the difference?

Install LYTE Mastering and make your first local export.

LATEST RELEASE · BETA

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